Novel Noir (Sample Chapter)
NOVEL
NOIR
CHAPTER 1
“You Raven?”
A woman’s voice. Behind me. Deja-vu hidden somewhere deep down
inside it.
I didn’t look up. Didn’t turn around. Kept my broom moving. Waited
to see if anybody else had heard her say the name.
The back of the cafe where I was sweeping was dark. Boxes of
disposable salt and pepper. Floor trash. Cans of tomatoes. Without
looking up, I knew the only light nearby was a single, bare bulb.
Behind me. At the edge of the kitchen. I stroked my broom across the
hard, sharply-defined shadow of her on the floor.
“You rang the wrong doorbell, lady,” I said. “My name’s Jack. Jack
Somebody.”
“I said I was looking for...”
“Keep your voice down,” I snapped.
My eyes had never left the floor. My body was still aimed away from
her.
Just in case anyone was watching. Listening.
I sensed her leaning closer.
My nose–surprising me with perfume. A barely-perceptible vanilla.
“You Raven?” she whispered. “As in the black bird? As in William
Raven?”
I poked my broom between two boxes. Dragged back some cigarette
butts. A plastic drink lid. Some large bread crumbs. A cheap bead
necklace. A tiny fake feather. “Who wants to know?”
“Me.”
I straightened up, thinking ‘yea, right’.
Leaned my broom against the wall.
Turned.
Looked her in the face.
Jesus!–my eyes said to themselves. The piston of my heart froze.
Locked-up. Like the final friction of two unlubricated pieces of
metal deep inside an engine.
The bulb at the edge of the kitchen was on her left.
She was standing close enough to kiss.
Looking right at me.
And that instant became totally unforgettable.
Some experts believe it’s in the genes. Some say it comes from
cultural constructs. Psychology. Biology. Misogyny. Others maintain
that it originated in ancient, male-dominated preferences for a
mate. But even if my hand had never held a scalpel, something would
have felt obligated to inform me–with sayings as superficial as the
people that voiced them–that beauty was only skin deep, that
loveliness was sometimes only a matter of millimeters. And medical
school had taught me even more about what men perceived to be the
ultimate in skin-deep beauty. Much more. Width of the eye equals
width of the nasal base. Middle of the iris, on a perpendicular line
with the base of the nose. Delicate jawline. Silky skin. Base of the
nose an equilateral triangle. Large eyes, relative to the length of
the face. Ideal nose projection-angle, 30 to 36 degrees. Short
distance between the mouth and chin. Low waist-to-hip ratio. Full
lips. Identical breasts, proportioned to the curvature of the
midriff.
All these equations, for the most part, based on symmetry.
Every part of the body, but especially the face.
Most men sense these formulas intuitively. Their eyes overexposed to
the air-brushed perfections of advertising. To the features of the
female body upon which their own secret stares linger just a little
bit too long. My particular expertise, however, had dealt with
everything from Elephant Man deformities to crow’s feet; horrifying
accidents to turkey wattles. My eyes had evaluated prep-photographs
of everything from cleft pallets to Cupid’s bows. Still–in spite of
intuition and formula, genetics and culture, expertise and
experience–the heart always wins out. And, within that memorable
instant, she had put a check mark in every box. She was the most
perfectly beautiful woman my eyes had ever seen.
“You get off work at 8 a.m., right?” she asked.
It was her real face. An exquisite shock in itself. The Cabaret
Festival was only six days away, and I think my eyes had expected to
see another mask. Another costume.
I glanced at the clock. Almost three a.m. “Why?”
“Fayetteville Street Mall. 3:30.”
“Do I need another cup of coffee, or is that supposed to mean
something?”
“Means you’re back in business, Raven.”
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